Yet, a well composed accident episode brings you back at alert. On the journey to Kanya Kumari, you feel like the film is tripping away. Till the idea of road trip is put to execution, the film was bearable.
Introduction of two lead artists and development of natural chemistry at home (watching the TV at nights) is cute. Except in bits and pieces of first half, nowhere SSS lived up to expectations. The film isn’t worth to be called a Menon or Chaitu or Rahman product. Unfortunately, one can find many reasons easily behind SSS lying in cans over a period. Generally, Menon films have a classy touch emphasized on naturalistic backdrop, character establishments and a typical essence without mass tinge. Sahasam Swasaga Sagipo Rating Analysis: Typical Menon blended two of his perfectionist movies YMC and Gharshana together into an imperfect SSS. Rest of the artists doesn’t need any mention. More than two individual artists, Chaitu and Manjima scored high as love birds struck in a crime net. Manjima Mohan is presented beautifully in a well written characterization. His transformation into action, crime mode was cinematic.
Onto performances, Naga Chaitanya is again into boy next door looks. Production standards from Ravinder Reddy are also just acceptable. RR had AR Rahman’s trademark while songs aren’t exceptional. Dan Macarthur’s camera work is natural and captivating. Dialogue writing department had a more casual approach penning lines on lead roles. This is exact area Menon lost the track with a clear mess up and fails as a director. The intense action tinge sensed for interval goes dragged and dragged in second half. Later part when adventurous action comes into play, the basic and un-absorbing thrill element hidden till last hour bought in a direct imbalance. Although there is a serious problem in torpid narration part yet technical department and chemistry between lead pair drove off. Till the time a teenage boy meeting beautiful girl and development of intimacy is well connected with current generation youth, something like ‘Ye Maya Chesave,’ the film sounds good. A realistic, thrilling screenplay wanders here and there without big purpose ultimately to get senselessly commercialized towards climax. Gautham Menon makes SSS a more of technician’s flick rather than artists, romance, drama or emotions. Sahasam Swasaga Sagipo Artists and Technicians: Basic storyline hasn’t got much juice in it. What is Kamath’s motto behind this operation? Who Leela actually is? What happened to Rajinikanth and Leela’s love story?
A crooked police officer Kamath (Baba Sehgal) falls behind them in this chase to save their lives. Rajini joins Leela in an action filled adventure only to lose his friend Mahesh, Leela’s parents. They face a serious accident and Leela goes missing with her parents attacked somewhere in Maharashtra. Leela joins Rajini on a road trip to Kanya Kumari where the actual problem begins. Slowly, Rajini and Leela get close and have their beautiful moments in budding love story. His sister Maithreyi’s friend Leela Sathyamurthy (Manjima Mohan) joins the family for a short period pursuing a film making course. Sahasam Swasaga Sagipo Story: Rajinikanth (Naga Chaitanya) is a graduate guy from Vizag planning to settle in life. Manjima Mohan and AR Rahman are additional attractions. Banking on ‘Premam’ and Chaitu’s craze, finally the Gautham Vasudev Menon directorial has hit the screen today when people are making long queues before banks for the new currency. Sahasam Swasaga Sagipo Review, What’s Behind: For technical reasons, this film’s release is long delayed.